TITLE Clubs, secret societies and male quest romance (Rudyard Kipling, H. Rider Haggard, Bram Stoker)
AUTHOR Greene, Thomas Michael;
DEGREE PhD
SCHOOL UNIVERSITY OF MASSACHUSETTS AMHERST
DATE 2002
PAGES 167
ADVISER Farrell, Kirby
ISBN 0-493-70987-8
SOURCE DAI-A 63/06, p. 2252, Dec 2002
SUBJECT LITERATURE, ENGLISH (0593)
Abstract: The psychological realm in which late nineteenth century male romance takes place is not simply an anarchic land liberated from the conventional constraints of Victorian morality. Rather it is a complex male space that reflects the dynamics, protocols and contradictions of nineteenth century middle-class masculine relations as embodied in male fraternal associations such as public schools, secret societies, and the clubland of London's West End. A historical survey of London clubs and secret societies demonstrates the characteristics and social function of these institutions in defining and sustaining prevailing models of masculinity. An examination of Rudyard Kipling's <italic>Kim</italic> in relation to Masonic symbolism and initiation rites shows the didactic role of boys' fiction in transmitting and sustaining the imperial masculine ideology. A reading of H. Rider Haggard's African novels demonstrates the dynamics of idealized middle-class fraternal relations. Finally, an analysis of Bram Stoker's novels illustrates issues of male communities in dealing with alien others. In an environment in which men perceived an increasing threat from outside social forces, the network of fraternal associations, quest romance and masculine ideologies created a dynamic that illuminates a more complex reading of the culture and literature of the genre.
PUBLICATION NUMBER
AAT 3056232
ACCESSION NO:
AAI9997684
TITLE: "THE ESSENTIAL LINK": FREEMASONRY
AND BRITISH IMPERIALISM, 1751--1918 AUTHOR(S): HARLAND-JACOBS,
JESSICA LEIGH DEGREE: PH.D. YEAR: 2000 PAGES: 00347 INSTITUTION: DUKE UNIVERSITY;
0066 ADVISOR: SUPERVISOR JOHN W. CELL SOURCE: DAI, 61, NO. 12A (2000):
P. 4899
Abstract: Emerging
in Britain during the seventeenth century, the Masonic brotherhood—which
claimed to admit any free man, regardless of his religion, social status,
political orientation, and race (provided he believed in the existence of
a supreme being)—taught its members lessons of self-improvement, spirituality,
and benevolence. During the eighteenth and nineteenth century, the fraternity
suited itself remarkably well to the British Empire. It spread primarily through
the activities of lodges in British Army regiments, which resulted in the
development of a vast service network that was fundamentally global and masculine
in nature. Looking at the British North Atlantic world between 1751 and 1918,
this dissertation explores the reciprocal relationship between Freemasonry
and imperialism. It asks how Freemasonry contributed to the building and
consolidation of the British Empire and what the fraternity reflected about
the broader imperial context. Having conducted research in Masonic and public
archives on both sides of the Atlantic, I draw on a wide range of manuscript
and published sources, including correspondence; private papers of prominent
Freemasons; British government documents; proceedings of the English, Irish,
Scottish, and Canadian grand lodges; and Masonic speeches, sermons, periodicals,
pamphlets, and monographs. I deploy the methodology of world networks history
to argue that cultural institutions played a critical role in British imperialism
and that the imperial and metropolitan spheres were highly interconnected
arenas. As it underwent the simultaneous processes of bureaucratization in
the metropole and global expansion, Freemasonry experienced a transformation.
Despite its consistent cosmopolitan claims, it changed from a relatively
open institution that included men of various religions, social classes,
political affiliations, and races to one that became increasingly Protestant,
middle-class, loyalist, and white over time. From the mid-nineteenth century
on, Freemasonry marched hand in hand with the British imperial state. Its
network connected the metropolitan and colonial spheres, fostering what I
describe as an imperialist identity among its members and becoming implicated
in the increasingly racialized imperialism of the late nineteenth century.
Like cosmopolitanism, imperialist identity is an example of an under-studied
supra-national identity. Appreciating its role in imperialism is crucial for
understanding the timing and location of national identity formation and
the hegemonic function of cultural institutions in the imperial arena.
ACCESSION NO: AAI9994906
TITLE: FRATERNAL REGALIA IN AMERICA,
1865 TO 1918: DRESSING THE LODGES; CLOTHING THE BROTHERHOOD (OHIO) AUTHOR(S):
MCBRIDE, HARRIET WAIN DEGREE: PH.D. YEAR: 2000 PAGES: 00388 INSTITUTION: THE
OHIO STATE UNIVERSITY; 0168 ADVISOR: ADVISER PATRICIA A. CUNNINGHAM SOURCE:
DAI, 61, NO. 11A (2000): P. 4435
Abstract: Prescribed forms of dress,
including theatrical costumes, ritual articles of clothing and militaristic
uniforms, were an essential element in the phenomenon of the secret fraternal
society movement in the United States in the years 1865 to 1918. The demand
for fraternal regalia spawned a distinct industry which flourished for eighty
years. The story of the fraternal society movement is incomplete without
consideration of the garments used by the secret societies, and of the companies
that made them. This story of fraternal regalia is told from the perspective
of The M. C. Lilley & Co. of Columbus, Ohio.
In nineteenth century America, as fraternalism
embraced twenty percent of the male population, the use of specialized clothing
increased and took on new meanings. Rituals increased in complexity and initiation
rites assumed a theatrical quality. Fraternal orders added new degrees and
side orders modeled on private militias, which required uniforms. Fraternal
regalia evolved into three distinct categories reflecting the three aspects
of the Great Fraternal Movement sacred rites, theatrical dramas and public
displays of patriotic militarism. All required non-normative forms of dress.
The M. C. Lilley & Co. manufactured,
distributed and sold fraternal regalia from 1865 to 1953. The largest of the
regalia houses, it is exemplary of that industry in the years of the Great
Fraternal Movement. During that time, regalia manufacturers used specialized
marketing techniques and capitalized on political events to create demand
for their wares. These companies were instrumental in organizing new lodges
and devising new rituals in order to expand markets for their apparel products.
The rise of the regalia industry in the
United States paralleled that of the societies it served. Firms which identified
themselves specifically with the fraternal orders, and which concentrated
their product lines on items of dress, prospered as the movement grew. The
fortunes of the secret fraternal societies and those of the regalia manufacturers
were intertwined, and the interests of one organization informed and served
the interests of the other.
ACCESSION NO: AAI0801984
TITLE: NINETEENTH-CENTURY RHETORICS OF
AMERICAN BROTHERHOOD AUTHOR(S): DAVIS, MATTHEW REID DEGREE: PH.D. YEAR: 2000
PAGES: 00001 INSTITUTION: UNIVERSITY OF WASHINGTON; 0250 ADVISOR: CHAIRPERSON
MARK PATTERSON SOURCE: DAI, 61, NO. 11A (2000): P. 4384
Abstract: Nineteenth-Century Rhetorics
of American Brotherhood analyzes relationships centered in brotherhood—a heretofore-unexamined
component of American literature and culture. Exploring brotherhood's significance
in both historical materials (the membership rolls and publications of secret
fraternal organizations) and in literary works (by figures such as Frederick
Douglass, Martin Delany, Louisa May Alcott, Thomas Dixon, Edward Bellamy,
William Dean Howells, and others), my dissertation argues that relationships
centered in brotherhood are crucial to American nationhood in the decades
surrounding the Civil War. My introduction theorizes brotherhood as a continuum
which extends from consanguineous (blood) models to purely voluntary ones
(Freemasonry, the Ku Klux Klan, etc.); significantly, brotherhood's complicated
rhetorics allow for much confusion and conflation, such that voluntary fraternal
associations are often given the imperative of blood and that blood brotherhoods—especially
those that cross racial boundaries—are easily disavowed. My project begins
with an examination of the abolitionist movement during its period of greatest
agitation, surveys the changes in the social and political landscape wrought
by the Civil War and Reconstruction, and concludes on the eve of a new century,
at a time when the political landscape is marked by the apparent healing
of the once-fractured Union and when the social landscape is dominated by
the highest levels of participation by the nation's men in secret fraternal
organizations. The Civil War's creation of a fractured national family results
in particular rhetorics of brotherhood being used with increasing frequency
in order both to heal this deeply divided family and, importantly, in order
to demarcate further its boundaries in response to social transformations
such as the emancipation of slaves, the enfranchisement of African Americans,
and increasing industrialization—all of which radically enlarged or transformed
the American family. Using theories first developed by Eve Sedgwick, Kaja
Silverman, Robyn Wiegman, and others within gender studies, psychoanalysis,
and literary studies, I argue that brotherhood exceeds these fields and requires
new tools that recognize the spectrum of brotherly relations and analyze
brotherhood's rhetorics of inclusion versus its practices of exclusion.
ACCESSION NO.: AAG9913940
TITLE: MYSTIC TIES OF BROTHERHOOD: FREEMASONRY, ROYALTY
AND RITUAL IN HAWAI'I, 1843-1910
AUTHOR: KARPIEL, FRANK JOSEPH
DEGREE: PH.D.
YEAR: 1998
INSTITUTION: UNIVERSITY OF HAWAII; 0085
ADVISER: Chairperson: IDUS NEWBY
SOURCE: DAI, VOL. 59-12A, Page 4503, 00306 Pages
DESCRIPTORS: HISTORY, ASIA, AUSTRALIA AND OCEANIA; HISTORY, UNITED
STATES; SOCIOLOGY, SOCIAL STRUCTURE AND DEVELOPMENT
ABSTRACT: Masonry arrived in the Hawaiian Kingdom in 1843 with
the
formation of the French-sponsored Lodge Le Progres
de
l'Oceanie in Honolulu, which was joined in 1852 by
Hawaiian Lodge under the auspices of California's
Grand
Lodge. This work examines the fraternity's growth
and
development along with its impact on the cultural
and
political life of the kingdom for the next six decades.
The first lodges in the city played an important
civic
role, providing fellowship and charitable assistance
to
its members along with absorbing rituals. These rituals
included secret initiations along with public
processions and dedication ceremonies, each of which
reinforced the "mystic ties of
brotherhood"; and signaled the status of the
individual and the fraternity collectively.
Each chapter of this work describes a different facet
of
Freemasonry's history in Honolulu including its
integrative social role in the ethnically divided
city,
its wide range of benevolent activities, and the
involvement of Hawaiian royalty in the order. Three
Hawaiian monarchs joined the Masons and participated
in
lodge meetings and festivities from the 1850s until
the
1890s. Two of these kings, Kamehameha IV and
Kalākaua, took leadership roles within
their
Masonic lodges as well as in the Scottish and York
Rites, which helped to enhance their political power
amid increasing American influence in the Islands.
While
doing so, they introduced other Hawaiians as candidates
into the fraternity and appointed many Masonic brethren
to high office.
Hawaiian monarchs also appropriated Freemasonry's
organizational structure for several new organizations
that they founded, the most significant of which
was the
Hale Naua, or Temple of Science. King David
Kalākaua hoped to revitalize the ancient
cultural traditions of Hawai'i with the aid of Masonic
forms and in the process of doing so engendered
surprising reactions from all quarters of the kingdom's
population. The syncretic process was a two-way street,
however, and several fraternal groups associated
with
Masonry appropriated Hawaiian cultural motifs and
inserted them in their rituals. This study thus
illuminates the cross-cultural contests over history,
culture and power that occurred in 19th century Hawai'i
within the context of fraternalism.
ACCESSION NO.: AAG9837708
TITLE: EDGAR CAYCE'S BOOKSHELF: THE SOURCE QUESTION IN THE
"SLEEPING PROPHET'S" SPIRITUAL TEACHINGS
AUTHOR: BELL, DAVID LAWRENCE
DEGREE: PH.D.
YEAR: 1998
INSTITUTION: CALIFORNIA INSTITUTE OF INTEGRAL STUDIES; 0392
ADVISER: Adviser: STEVEN D. GOODMAN
SOURCE: DAI, VOL. 59-06A, Page 2070, 00395 Pages
DESCRIPTORS: RELIGION, HISTORY OF; RELIGION, PHILOSOPHY OF; BIOGRAPHY
ABSTRACT: One of the New Age movement' s most revered authorities,
Edgar Cayce (1877-1945) is remembered primarily for
his
trance-channeled teachings on such subjects as
astrology, reincarnation, Atlantis, the untold life
of
Jesus, and psychic experience. This work attempts
to
trace Cayce's most distinctive spiritual teachings
to
other turn-of-the-century books and movements to
which
he could have been exposed. Probable sources include
the
Disciples of Christ, Freemasonry, Spiritualism,
Theosophy, New Thought, and alternative medicine.
Between 1890 and 1930 all but the first of these
fed
into a thriving alternative religious subculture
roughly
analogous to the New Age movement of our own era,
and
Cayce was one of a number of similar syncretic figures
from this period.
This approach is somewhat controversial within Caycean
circles, since Cayce himself explicitly denied
authorship of the psychic readings which he dictated.
Accordingly, Cayce writers have portrayed their subject
as a simple, uneducated man who read the Bible, but
not
occult or medical literature. Parallels between the
Cayce readings and such literature are typically
treated
as independent confirmations of Cayce's ideas, rather
than indications of any historical relationship.
In this light it is surely relevant that nearly all
the
published Cayce literature has been in some sense
sponsored by the main Cayce organization, the
Association for Research and Enlightenment (ARE).
A
chapter is therefore devoted to examining the history
and nature of the ARE in order to determine why so
little attention has been given to the "source
question." Various facets of the ARE lead that
organization to resemble a church or religion, a
research society, a small-group support organization
similar to Alcoholics Anonymous, an alternative health-
care provider, or a business consortium. Each of
these
models suggests a different set of priorities with
respect to the critical study of Cayce, most of which
are unfavorable to the source question.
THE FOLLOWING TITLES LISTED EARLIER
ACCESSION NO.: AAG9706260
TITLE: THE PHILOSOPHICAL IMPLICATIONS OF FREEMASONRY
IN THOMAS MANN'S "DER ZAUBERBERG" (BILDUNGSROMAN)
AUTHOR: GOINGS, CAROL P. DEGREE: PH.D. YEAR:
1996 INSTITUTION: NEW YORK UNIVERSITY; 0146 ADVISER: Adviser: BERND HUPPAUF
SOURCE: DAI, VOL. 57-09A, Page 3954, 00201 Pages DESCRIPTORS: LITERATURE,
GERMANIC; LITERATURE, MODERN; PHILOSOPHY
ABSTRACT: This research project investigates
the philosophical implications of Freemasonry in Thomas Mann's Zauberberg
in view of the novel as a "Bildungsroman" placed in an era of social and scientific
change, the turn-of-the-century. The novel can be considered "modern" for
its attempt to reconcile the "classical theory" of science and philosophy
with a new age of scientific "breakthroughs", bridging the gap between the
objective and the subjective. "Reality" could no longer be considered "container-like"
or "measureable" to one standard, but had to incorporate "flux", allowing
the text to move beyond traditional bounds and "beyond realism". Freemasonry's
influence on Mann's text is integral to the following interpretation, as it
presents a Masonic view which is both challenged and broadened by transition.
Hans Castorp's personal growth can, consequently, be regarded as a reflection
of the growth and change society may take when faced with "crisis". Freemasonry
acts as a stabilizing humanistic philosophy in a world of uncertainty and
on the verge of WWI as it presents the "Platonic" predictable world view through
the pedagoge Settennbrini. Chapter one discusses Mann's representation of
space and time, showing how measured and objective time and space can overlap
with the subjective. Chapter two addresses the metaphor of "Stone", as it
is important to the Freemasons as "artisans in stone" as well as a "leitmotiv"
for Mann. Images of stone are present in the text both on a physical as well
as a meta- physical level as it embodies strength, fortitude, eternity, while
not impervious to erosion and decay. The third chapter entitled "Music" develops
connections between Mann and Masonic concepts of music-- as well as addressing
the negative, inharmonious, discordent and destructive elements of music.
Finally the last chapter "Matter/Spirit" characterizes the attitude of Freemasonry
in regard to separation of spirit and matter. Integrally bound up with this
discussion is Hans' facing of death and disease. There is a Masonic message
of "hope" as an underlying philosophy of Mann's novel, according to this
reading, as Hans' growth and enhanced humanism may better prepare men for
a modern age.
ACCESSION NO.: AAG9634019
TITLE: WORKING THE ROUGH STONE: FREEMASONRY
AND SOCIETY IN EIGHTEENTH-CENTURY RUSSIA
AUTHOR: SMITH, DOUGLAS CAMPBELL DEGREE: PH.D.
YEAR: 1996 INSTITUTION: UNIVERSITY OF CALIFORNIA, LOS ANGELES; 0031 ADVISER:
Chair: HANS ROGGER SOURCE: DAI, VOL. 57-06A, Page 2632, 00281 Pages DESCRIPTORS:
HISTORY, EUROPEAN; HISTORY, MODERN; SOCIOLOGY, SOCIAL STRUCTURE AND DEVELOPMENT
ABSTRACT: This dissertation explores Russia's
eighteenth-century Masonic movement, a major social and cultural phenomenon
comprising over 3,000 Masons active in more than 130 lodges. Attempting to
avoid the unmistakable teleology and anachronisms that color the established
historiography, which has conceptualized the history of the lodges as a chapter
in the history of the Russian intelligentsia, this work situates Masonry within
the specific socio-historical context in which it operated and uses Masonry
as an entry point into an examination of the local logic of eighteenth-century
Russian society. Informed by recent investigations into the history of the
public sphere, or civil society, in the Old Regime societies of western Europe,
this study examines the lodges against the background of Russian society in
order not only to assess their relationship to this broad social topography
but also to rethink our understanding of Russian society itself. It demonstrates
the existence of a Russian public sphere composed of the print market, on
the one hand, and of circles, clubs, societies, salons, as well as Masonic
lodges, on the other. In addition, through an examination of the public debate
over Freemasonry, this dissertation sheds light on the development of the
modern notion of public opinion in the eighteenth century. This essay also
seeks to disclose the sources of Freemasonry's appeal by illuminating the
chief aim of Masonic practice as well as the salient features of the Masons'
mental world. Seeking to distinguish themselves as men of superior moral and
social worth, the Masons envisioned the lodge as society's sole seat of virtue
and enlightenment within which they could devote themselves to a specific
program of self-improvement. By "working the rough stone," Russia's Masons
sought to reform their morals and to refine their manners and to become civilized,
enlightened, and moral beings. Freemasonry played a major role in the construction
of personal and social identities based upon novel ideas of civility and
politeness that were then acquiring increasing importance among Russia's
educated classes as the primary signs of social distinction in a new economy
of status.
ACCESSION NO.: AAI9600626
TITLE: CONSTRUCTING THE BLACK MASCULINE: IDENTITY
AND IDEOLOGY IN AFRICAN-AMERICAN MEN'S LITERATURE AND CULTURE
AUTHOR: WALLACE, MAURICE ORLANDO DEGREE: PH.D.
YEAR: 1995 INSTITUTION: DUKE UNIVERSITY; 0066 ADVISER: Supervisor: KARLA F.
C. HOLLOWAY SOURCE: DAI, VOL. 56-09A, Page 3587, 00236 Pages DESCRIPTORS:
LITERATURE, AMERICAN; AMERICAN STUDIES; BLACK STUDIES
ABSTRACT: This dissertation locates and theorizes
the intersecting anxieties of race, gender, and sexuality in African American
men's expressive culture, especially literary autobiography. Throughout the
black cultural and literary production of nineteenth- and twentieth-century
America, from the inception of the black Freemasonry movement in 1775 to the
present, maleness (after blackness, of course) appears as one of the severest
anxieties (or "ego-disturbances," following Freud) of the African American
male subject. Yet it is little remarked upon in the critical tradition. My
dissertations treats the critical silence about black maleness per se and
explores the epistemological possibilities for a coherent theory of African
American male identity construction. Following Eve Sedgwick's lead with Epistemology
of the Closet, I argue for the presence of closet-like constructions (real
and metaphoric) permeating the literature and homosocial cultures of African
American men as tropes for psychological self-alienation and identity coverture
not exclusively sexual. The literary and cultural suppression (i.e. closeting)
of anything like the full disclosure of the principals' racial, gender and
sexual ambivalence explains the dearth of critical writing that takes up these
matters. In short, "Constructing the Black Masculine" seeks to understand
the representation of masculinity in a series of significant texts and contexts
of black male subjecthood from 1775 to 1994, in order to determine how social
preoccupations with race, gender, and sexuality inflect not only the writerly
record but the larger issue of the social ideal of black masculinity.
ACCESSION NO.: AAI9540838
TITLE: A TRUE REPUBLICAN: THE LIFE OF PAUL
REVERE
AUTHOR: TRIBER, JAYNE ELLEN DEGREE: PH.D. YEAR:
1995 INSTITUTION: BROWN UNIVERSITY; 0024 ADVISER: Adviser: GORDON S. WOOD
SOURCE: DAI, VOL. 56-08A, Page 3283, 00450 Pages DESCRIPTORS: HISTORY, UNITED
STATES; BIOGRAPHY
ABSTRACT: A biography of Paul Revere affords
the opportunity to explore several topics of interest to historians of the
Revolutionary and Early National periods, including the meaning and attraction
of republicanism for artisans, the importance of Freemasonry in the late eighteenth
and early nineteenth centuries, and the development of early American industry.
Through an analysis of Revere's letters and business correspondence, his
various businesses, products, and customers, Masonic records, and other primary
sources ranging from diaries to government documents, I trace his economic,
social, and political life from his days as a Son of Liberty to his transformation
from artisan to merchant and manufacturer in the Early Republic. Revere's
long-standing connections among Boston's artisans, mariners, and Freemasons
made him a valuable asset to Boston's Revolutionary leaders. As a master
goldsmith--an elite among his fellow artisans but a man of mere middling
rank in colonial society--Revere served as a bridge between the "bully boys"
of Boston's waterfront and the Harvard-educated leaders who needed to mobilize
such men in the Revolutionary cause. He, in turn, was exhilarated by his
association with these genteel, classically-educated men, and the promise
of liberty, equality, and opportunity that devotion to republicanism promised.
Republicanism offered Revere the chance for economic success and social distinction,
but it also called upon him to practice the principles of honor, integrity,
virtue, and benevolence. Intellectual historians have generally treated Paul
Revere as a footnote in histories of the American Revolution: the patriot-silversmith
and trusted messenger of Boston's Revolutionary leaders. Social historians
cannot quite fit this master artisan turned manufacturer into their model
of the role of laborers and journeymen artisans in the Revolution. A significant
purpose of this work is to test the value of biography to historical analysis
and to apply the disciplines of both intellectual and social history to a
study of the life and mind of Paul Revere and the age in which he lived.